Discussion:
Why do presenters on French TV still use hand mikes ?!
(too old to reply)
I'm_Perfect
2005-03-18 20:21:49 UTC
Permalink
I'm getting TF1, F2 from the caen tx at the moment and I see that presenters
etc are still useing hand mikes, err why ? I can't think of any technical
reason why France can't use lapel ones like the rest of the world ??!
News Will
2005-03-18 22:10:53 UTC
Permalink
Post by I'm_Perfect
I'm getting TF1, F2 from the caen tx at the moment and I see that
presenters etc are still useing hand mikes, err why ? I can't think of any
technical reason why France can't use lapel ones like the rest of the
world ??!
It's easier.
With stick mikes they can all be left faded up with minimum colouration.
Try that with half a dozen omnis!
Rob Gibson
2005-03-18 23:25:09 UTC
Permalink
Post by I'm_Perfect
I'm getting TF1, F2 from the caen tx at the moment and I see that
presenters etc are still useing hand mikes, err why ? I can't think of any
technical reason why France can't use lapel ones like the rest of the
world ??!
They're French!
Ashley Booth
2005-03-19 00:32:53 UTC
Permalink
Post by Rob Gibson
Post by I'm_Perfect
I'm getting TF1, F2 from the caen tx at the moment and I see that
presenters etc are still useing hand mikes, err why ? I can't think
of any technical reason why France can't use lapel ones like the
rest of the world ??!
They're French!
Not just the French! I've done a 2 way for SAT1 where they had a hand
mike (not plugged in) just so they could get their logo in shot!
--
Ashley
:::Jerry::::
2005-03-19 09:55:56 UTC
Permalink
"Ashley Booth" <***@REMOVEsnglinks.com> wrote in message news:d1frvl$26j$***@titan.btinternet.com...
<snip>
Post by Ashley Booth
Not just the French! I've done a 2 way for SAT1 where they had a hand
mike (not plugged in) just so they could get their logo in shot!
<mode=rant>

Well, if it stop the 'presenters' weaving their arms and hands around
like demented idiots I'm all for the use of hand held mic's - some
British (mostly bimbo & Jon Snow) presenters could benefit from having
to hold something more than their inflated egos.....

Also, regarding the latest BBC cut backs, is this going to see the end
of sending people out just to say what they could say in the studio
other than standing outside the place they are talking about ? A
totally pointless cost, another ego driven thing, we can so we must
whilst adding nothing to the quality of reporting IMO.

</mode>
News Will
2005-03-19 11:00:35 UTC
Permalink
Also, regarding the latest BBC cut backs, is this going to see the end of
sending people out just to say what they could say in the studio other
than standing outside the place they are talking about ? A totally
pointless cost, another ego driven thing, we can so we must whilst adding
nothing to the quality of reporting IMO.
I did laugh last week when the BBC News man in the studio said, refering to
a story about the BBC, "and Joe Bloggs is outside Television Centre"

Cut to said reporter standing outside TVC with 'live' caption.
:::Jerry::::
2005-03-19 12:25:15 UTC
Permalink
Post by News Will
Also, regarding the latest BBC cut backs, is this going to see the end of
sending people out just to say what they could say in the studio other
than standing outside the place they are talking about ? A totally
pointless cost, another ego driven thing, we can so we must whilst adding
nothing to the quality of reporting IMO.
I did laugh last week when the BBC News man in the studio said, refering to
a story about the BBC, "and Joe Bloggs is outside Television
Centre"
Post by News Will
Cut to said reporter standing outside TVC with 'live' caption.
Yes, but news don't come from TVC, it comes from the 'News Centre' -
200 yards up the (internal TVC ?) road....

There was a report regarding road congestion on BBC South the other
week, with a live insert from the side of a busy trunk road, the roar
of the traffic was so loud that it was just about all one could hear
whilst seeing someone trying to talk over the said traffic roar - I
suspect what the reporter had to say could have been delivered in the
studio as a VO, by either the said reporter or by the main presenter.
Stephen Neal
2005-03-19 12:53:07 UTC
Permalink
[snip]
Post by :::Jerry::::
Yes, but news don't come from TVC, it comes from the 'News Centre' -
200 yards up the (internal TVC ?) road....
Err - dunno when you were last at TV Centre, but "The News Centre" is the
other name for TVC Stage VI and is definitely part of TV Centre - it was
only christened "The News Centre" because it houses Radio News as well as
TV News. It is part of TV Centre - as it is stuck on the end of Stage V
(Stage V actually contains the BBC One News studio and BBC World News studio
and gallery), which itself was stuck on the end of Stage IV (aka Spur) in
the late 80s. In fact the main TV Centre reception on the pavement of Wood
Lane is actually on the ground floor of Stage VI. (The old main reception
near the collonade is now called "Stage Door")

There is no "internal" TVC Road between TV Centre and The News Centre as
they are all effectively one building -though there is a road running
parallel to Stage IV,V and VI to allow cars to leave the site. You can
easily walk round the doughnut from TC1 to the News 24 Newsroom - no need to
go outside etc.

(Your confusion may stem from the BBC's original plans in the 80s to build a
separate building for News on their White City site further along Wood Lane
near the A40 - but these plans were shelved. There is now the White City
building and the Broadcast Centre/Media Centre which houses BBC Broadcast
(aka Presentation) on this site)

Steve
:::Jerry::::
2005-03-19 15:01:04 UTC
Permalink
"Stephen Neal" <***@nospam.as-directed.com> wrote in message news:d1h7bm$59e$1$***@news.demon.co.uk...
<snip>
Post by Stephen Neal
(Your confusion may stem from the BBC's original plans in the 80s to build a
separate building for News on their White City site further along Wood Lane
near the A40 - but these plans were shelved. There is now the White City
building and the Broadcast Centre/Media Centre which houses BBC Broadcast
(aka Presentation) on this site)
I stand corrected. Thanks.
Stephen Neal
2005-03-19 12:59:09 UTC
Permalink
Post by News Will
Also, regarding the latest BBC cut backs, is this going to see the end of
sending people out just to say what they could say in the studio other
than standing outside the place they are talking about ? A totally
pointless cost, another ego driven thing, we can so we must whilst adding
nothing to the quality of reporting IMO.
I did laugh last week when the BBC News man in the studio said, refering to
a story about the BBC, "and Joe Bloggs is outside Television Centre"
Cut to said reporter standing outside TVC with 'live' caption.
It does have some advantages. It makes it much easier for the same reporter
to quickly cover multiple outlets (BBC One, BBC News 24, BBC World, BBC
Radio Five Live, BBC Radio Four, BBC Three News etc., as well as BBC
regional outlets) without having to run around the building (switching links
between studios is much quicker than getting a reporter on and off various
sets) - and arguably is a more visually interesting way of conducting an
interview than a close-up of a talking head sat in a studio. One of the
major things that viewers always say they like when they are polled about
news coverage, is a feeling that they prefer it when the reporter looks to
be where the story is happening - outside the studio rather than inside.
Even newsroom cameras are preferred to studio interviews - as it gives a
"feel" of a working reporter finding out the facts - even if this isn't
quite the case.

A generic close-up of a reporter in a studio doesn't instantly say "BBC
Story" - whereas an exterior shot with "BBC Television Centre" in the
background does. Similarly a close-up in a newsroom in Westminster says
"Politics" far less than a live from College Green with a Parliamentary
backdrop. In the era of continuous news channels, where people often watch
with the sound down in offices, a visual "cue" to a story is a factor in how
you tell the story. (Another reason why on-screen graphics are now
everywhere on all major news channels worldwide)

Steve
:::Jerry::::
2005-03-19 14:58:49 UTC
Permalink
Post by Stephen Neal
Post by News Will
Also, regarding the latest BBC cut backs, is this going to see the end of
sending people out just to say what they could say in the studio other
than standing outside the place they are talking about ? A
totally
Post by Stephen Neal
Post by News Will
pointless cost, another ego driven thing, we can so we must
whilst adding
Post by Stephen Neal
Post by News Will
nothing to the quality of reporting IMO.
I did laugh last week when the BBC News man in the studio said,
refering
Post by Stephen Neal
Post by News Will
to
a story about the BBC, "and Joe Bloggs is outside Television
Centre"
Post by Stephen Neal
Post by News Will
Cut to said reporter standing outside TVC with 'live' caption.
It does have some advantages. It makes it much easier for the same reporter
to quickly cover multiple outlets (BBC One, BBC News 24, BBC World, BBC
Radio Five Live, BBC Radio Four, BBC Three News etc., as well as BBC
regional outlets) without having to run around the building
(switching links
Post by Stephen Neal
between studios is much quicker than getting a reporter on and off various
sets)
If a reporter needs to be in two places at the same time then surely
it would be possible (and be cheaper) to have some green screen
equipped 'broom cupboards' were such reports can be delivered from?

- and arguably is a more visually interesting way of conducting an
Post by Stephen Neal
interview than a close-up of a talking head sat in a studio. One of the
major things that viewers always say they like when they are polled about
news coverage, is a feeling that they prefer it when the reporter looks to
be where the story is happening - outside the studio rather than inside.
Even newsroom cameras are preferred to studio interviews - as it gives a
"feel" of a working reporter finding out the facts - even if this isn't
quite the case.
It's not the location but the way the link is handled to the 'live'
report, firstly often there is no need for the insert to be live and
then there is no need to make a big deal out of someone standing in
the rain for no other reason than people are to stupid to think about
the content rather than the image of the reporter standing ion the
rain - it's dumbing down nothing more and nothing less.

The 'announcements' of JFK's death by a reporter in a studio had the
same impact in '63 as the 'announcements' of Diana's death by someone
standing outside Buck' House in '97.
Post by Stephen Neal
A generic close-up of a reporter in a studio doesn't instantly say "BBC
Story" - whereas an exterior shot with "BBC Television Centre" in the
background does.
So a 'green screened' picture of TVC doesn't do the same ?...

Similarly a close-up in a newsroom in Westminster says
Post by Stephen Neal
"Politics" far less than a live from College Green with a
Parliamentary
Post by Stephen Neal
backdrop.
But a green screened image of the same backdrop will....

In the era of continuous news channels, where people often watch
Post by Stephen Neal
with the sound down in offices, a visual "cue" to a story is a
factor in how
Post by Stephen Neal
you tell the story. (Another reason why on-screen graphics are now
everywhere on all major news channels worldwide)
By the time the 'bimo' reporter is being TX'd the 'headline' of the
story has been and gone, anyone turning up the sound then will be
playing catch up - but if there had been the good old graphic, like in
the days of Baker & Woods etc., the same person would only miss the
first few words or so.
Stephen Neal
2005-03-19 22:00:17 UTC
Permalink
[snip]
Post by :::Jerry::::
If a reporter needs to be in two places at the same time then surely
it would be possible (and be cheaper) to have some green screen
equipped 'broom cupboards' were such reports can be delivered from?
I'd argue that fabricating a "reality" by using green-screen is worse than
actually putting someone where the event is taking place. By
green-screening a fake backdrop, you are effectively misleading the
audience. In some cases, say a regional "down-the-line" studio, or
Westminster, where the green-screen is replacing a real window then I can
follow the argument. However a CSO studio seems, to me, to be the worst of
both worlds. The reporter is neither in the studio, nor on location. They
are in an empty, windowless box, isolated from either real newsgathering, or
the presenter they are being interviewed by.


[snip]
Post by :::Jerry::::
The 'announcements' of JFK's death by a reporter in a studio had the
same impact in '63 as the 'announcements' of Diana's death by someone
standing outside Buck' House in '97.
Yep - but you have to view things in context. Live reportage was not
common-place in 1963, so studio reporting had impact. By 1997 live reporting
from the scene of an event was "the norm". To report such an event from a
studio would have been a nonsense, in the context of 1997 news reporting
techniques. All the major news providers reported from Buckingham Palace -
if the BBC hadn't it would have seemed crazy.

Just because cardboard graphics and black and white cameras were used in
1963, would you argue that electronic graphics and colour were needless as
well. Technology moves on, and the methods used to tell a story (whether a
factual news story or a fictional one) moves on.
Post by :::Jerry::::
Post by Stephen Neal
A generic close-up of a reporter in a studio doesn't instantly say
"BBC
Post by Stephen Neal
Story" - whereas an exterior shot with "BBC Television Centre" in
the
Post by Stephen Neal
background does.
So a 'green screened' picture of TVC doesn't do the same ?...
No - because it is obviously fake - arguablye a worse lie than a studio
interview.
Post by :::Jerry::::
Similarly a close-up in a newsroom in Westminster says
Post by Stephen Neal
"Politics" far less than a live from College Green with a
Parliamentary
Post by Stephen Neal
backdrop.
But a green screened image of the same backdrop will....
Not as well no. The Westminster CSO is a cheap and cheerful get-out when it
is raining, or the programme doesn't have the budget for a crew to go to
College Green. It is clearly better to interview someone from a real
location than a fake one.
Post by :::Jerry::::
In the era of continuous news channels, where people often watch
Post by Stephen Neal
with the sound down in offices, a visual "cue" to a story is a
factor in how
Post by Stephen Neal
you tell the story. (Another reason why on-screen graphics are now
everywhere on all major news channels worldwide)
By the time the 'bimo' reporter is being TX'd the 'headline' of the
story has been and gone, anyone turning up the sound then will be
playing catch up - but if there had been the good old graphic, like in
the days of Baker & Woods etc., the same person would only miss the
first few words or so.
Yes - but in the days of Baker and Woods the news was often days old
anyway...

Live reporting may have a lot to answer for - but when done well and from
the right location it enhances news reporting hugely.

Steve
:::Jerry::::
2005-03-19 23:18:52 UTC
Permalink
<snip>
Post by Stephen Neal
Post by :::Jerry::::
The 'announcements' of JFK's death by a reporter in a studio had the
same impact in '63 as the 'announcements' of Diana's death by someone
standing outside Buck' House in '97.
Yep - but you have to view things in context. Live reportage was not
common-place in 1963, so studio reporting had impact. By 1997 live reporting
from the scene of an event was "the norm". To report such an event from a
studio would have been a nonsense,
But in '97 that is exactly were the reports were made from, it was the
middle of the night, the later reports by someone standing outside
Buck' House were for effect only, there could have been few if any
people who didn't know what had happened - all the real action was
taking place in either 10 Downing Street, Paris, Balmoral or at
Althorp, Buck' House was nothing more than a clearing office for PR,
even the crowds were assembling IIRC at Kensington Palace...

in the context of 1997 news reporting
Post by Stephen Neal
techniques. All the major news providers reported from Buckingham Palace -
if the BBC hadn't it would have seemed crazy.
I'm not saying that it's just the BBC who have and still are dumbing
down 'news', just look at the ITN programme at 18:30.....
Post by Stephen Neal
Just because cardboard graphics and black and white cameras were used in
1963, would you argue that electronic graphics and colour were
needless as
Post by Stephen Neal
well. Technology moves on, and the methods used to tell a story (whether a
factual news story or a fictional one) moves on.
Of course they do, but standing someone outside a location, just
because it can be done, doesn't mean it adds anything. Sometimes it
adds nothing but an un needed distraction, as in the report about road
congestion mention earlier, that would have been better as a pre
filmed report with a proper VO. OTOH, and going back to Diana's death,
a reporter standing in front of the underpass (with the Police
activity in the background etc.) did add to the story.
Post by Stephen Neal
Post by :::Jerry::::
Post by Stephen Neal
A generic close-up of a reporter in a studio doesn't instantly say
"BBC
Post by Stephen Neal
Story" - whereas an exterior shot with "BBC Television Centre" in
the
Post by Stephen Neal
background does.
So a 'green screened' picture of TVC doesn't do the same ?...
No - because it is obviously fake - arguablye a worse lie than a studio
interview.
So an image of what the news reader is talking about looks fake does
it, I think there are some people around who are really
under-estimating the intelligence levels of the viewer if that really
is the reason why a reporter has to stand outside TVC to talk about
the BBC...
Post by Stephen Neal
Post by :::Jerry::::
Similarly a close-up in a newsroom in Westminster says
Post by Stephen Neal
"Politics" far less than a live from College Green with a
Parliamentary
Post by Stephen Neal
backdrop.
But a green screened image of the same backdrop will....
Not as well no. The Westminster CSO is a cheap and cheerful get-out when it
is raining, or the programme doesn't have the budget for a crew to go to
College Green. It is clearly better to interview someone from a real
location than a fake one.
Never heard of a studio set, people are not interested in were the
interview is taking place, they are interested in what the interviewee
has to say - or that is what should be happening, quite often the
location becomes a distraction, what with passing traffic and the
like.

I doubt the viewing figures have increased for Question time because
it's not now stuck in London anymore, people watch it to hear what the
guests have to say, why do people think that news programmes are any
different - unless they consider that news is know entertainment
rather than current-affairs / news ?...
Post by Stephen Neal
Post by :::Jerry::::
In the era of continuous news channels, where people often watch
Post by Stephen Neal
with the sound down in offices, a visual "cue" to a story is a
factor in how
Post by Stephen Neal
you tell the story. (Another reason why on-screen graphics are now
everywhere on all major news channels worldwide)
By the time the 'bimo' reporter is being TX'd the 'headline' of the
story has been and gone, anyone turning up the sound then will be
playing catch up - but if there had been the good old graphic, like in
the days of Baker & Woods etc., the same person would only miss the
first few words or so.
Yes - but in the days of Baker and Woods the news was often days old
anyway...
Only news from isolated international locations, surely ?..
Post by Stephen Neal
Live reporting may have a lot to answer for - but when done well and from
the right location it enhances news reporting hugely.
Oh, I agree ! What I'm arguing about is the times when it doesn't,
which seem to be increasing - reports 'live from the scene' that add
nothing at all to the studio report (or even the pre-recorded report
from the same location by the same reporter) that preceded the 'live'
report.

As I said originally, the use of technology just because we can, not
because it's really required (it's going to add to the report in a
significant way).
Stephen Neal
2005-03-20 00:33:07 UTC
Permalink
Post by :::Jerry::::
<snip>
[snip]
Post by :::Jerry::::
But in '97 that is exactly were the reports were made from, it was the
middle of the night, the later reports by someone standing outside
Buck' House were for effect only, there could have been few if any
people who didn't know what had happened - all the real action was
taking place in either 10 Downing Street, Paris, Balmoral or at
Althorp, Buck' House was nothing more than a clearing office for PR,
even the crowds were assembling IIRC at Kensington Palace...
That may have been the case "behind the scenes" - but in terms of a single
"royal" location there really is nowhere more iconic than Buckingham Palace.
Sure, Kensington Palace became the original focus of the public, but in
terms of continued reporting of the "royal" angle Buckingham Palace had to
be the location. If any broadcaster had chosen Althorp or Kensington House
(Balmoral would be out because of the difficulty of scrambling a link there
in the timescale) they would have "looked" less stately than if they were at
Buck House.

Whether it is the actual centre of the story or not, Buck House is still
where the public expect Royal stories to be anchored from.
Post by :::Jerry::::
in the context of 1997 news reporting
Post by Stephen Neal
techniques. All the major news providers reported from Buckingham
Palace -
Post by Stephen Neal
if the BBC hadn't it would have seemed crazy.
I'm not saying that it's just the BBC who have and still are dumbing
down 'news', just look at the ITN programme at 18:30.....
Not getting into that - in 1997 all the major news providers pretty much
followed the same pattern. Get a dish/link/inject to Buck House and ensure
you have a solid reporter in front of that camera - it may not be where the
story is precisely developing, but it is a hell of a lot better than a
presenter in a studio.
Post by :::Jerry::::
Post by Stephen Neal
Just because cardboard graphics and black and white cameras were
used in
Post by Stephen Neal
1963, would you argue that electronic graphics and colour were
needless as
Post by Stephen Neal
well. Technology moves on, and the methods used to tell a story
(whether a
Post by Stephen Neal
factual news story or a fictional one) moves on.
Of course they do, but standing someone outside a location, just
because it can be done, doesn't mean it adds anything.
Neither does it automatically become wrong. TV News is both about News and
Television. If it is not visually interesting people won't always watch.
You have failed to give them the "News" if they aren't watching. It is a
balancing act.
Post by :::Jerry::::
Sometimes it
adds nothing but an un needed distraction, as in the report about road
congestion mention earlier, that would have been better as a pre
filmed report with a proper VO.
If time had allowed then that is probably right. However if the report was
at lunchtime, or was a late decision, you don't always have the flexibility
to cover everything with a cut story. Whilst poor quality live reporting
does nobody any favours, there are more ways of clearly telling a story in a
news bulletin than a package.
Post by :::Jerry::::
OTOH, and going back to Diana's death,
a reporter standing in front of the underpass (with the Police
activity in the background etc.) did add to the story.
Yes - though presumably this would have taken longer to organise given the
overseas nature of the story.

[snip]
Post by :::Jerry::::
So an image of what the news reader is talking about looks fake does
it, I think there are some people around who are really
under-estimating the intelligence levels of the viewer if that really
is the reason why a reporter has to stand outside TVC to talk about
the BBC...
The grammar of picture insets behind a presenter reading a cue are very
different to those of a background behind a live reporter. One is obviously
a graphical device, the other arguably an artifice. Following your argument
it would be acceptable to have a reporter in London sat with a CSO of Moscow
behind him to cover a Moscow story, rather than a reporter actually in
Moscow. I'd argue the former was dishonest (though some news organisations
have done this...)
Post by :::Jerry::::
Post by Stephen Neal
Post by Stephen Neal
Similarly a close-up in a newsroom in Westminster says
Post by Stephen Neal
"Politics" far less than a live from College Green with a
Parliamentary
Post by Stephen Neal
backdrop.
But a green screened image of the same backdrop will....
Not as well no. The Westminster CSO is a cheap and cheerful get-out
when it
Post by Stephen Neal
is raining, or the programme doesn't have the budget for a crew to
go to
Post by Stephen Neal
College Green. It is clearly better to interview someone from a
real
Post by Stephen Neal
location than a fake one.
Never heard of a studio set, people are not interested in were the
interview is taking place, they are interested in what the interviewee
has to say - or that is what should be happening, quite often the
location becomes a distraction, what with passing traffic and the
like.
I don't agree. I think the manner of the interview is, these days, as
important as the content, as it places it in context. If you interview an MP
in front of Parliament it places them in context. If you perform the same
interview on a set in a Westminster newsroom it is far less immediate, and
certainly "duller" television, and in my view certainly less watchable.
There is no point doing this stuff if nobody watches.
Post by :::Jerry::::
I doubt the viewing figures have increased for Question time because
it's not now stuck in London anymore, people watch it to hear what the
guests have to say, why do people think that news programmes are any
different - unless they consider that news is know entertainment
rather than current-affairs / news ?...
I'd argue that allowing people around the UK to take part in Question Time
without trekking down to London is a pretty good reason not to anchor the
show permanently in London. Surely you get a more representative cross
section of the audience if you move around the country. People outside
London pay a licence fee as well...
Post by :::Jerry::::
Post by Stephen Neal
Post by Stephen Neal
In the era of continuous news channels, where people often watch
Post by Stephen Neal
with the sound down in offices, a visual "cue" to a story is a
factor in how
Post by Stephen Neal
you tell the story. (Another reason why on-screen graphics are
now
Post by Stephen Neal
Post by Stephen Neal
Post by Stephen Neal
everywhere on all major news channels worldwide)
By the time the 'bimo' reporter is being TX'd the 'headline' of
the
Post by Stephen Neal
Post by Stephen Neal
story has been and gone, anyone turning up the sound then will be
playing catch up - but if there had been the good old graphic,
like in
Post by Stephen Neal
Post by Stephen Neal
the days of Baker & Woods etc., the same person would only miss
the
Post by Stephen Neal
Post by Stephen Neal
first few words or so.
Yes - but in the days of Baker and Woods the news was often days old
anyway...
Only news from isolated international locations, surely ?..
Well the BBC World Service reporting team is about as large as it gets, and
whenever news breaks they seem to be on-air on News 24, BBC World as well as
BBC One and Radio Five Live pretty quickly. They may be "isolated
international locations" - but I'd still rather hear from Rachel Harvey in
Banda Aceh, than a presenter in London, when I want to know about the extent
of the Tsunami...
Post by :::Jerry::::
Post by Stephen Neal
Live reporting may have a lot to answer for - but when done well and
from
Post by Stephen Neal
the right location it enhances news reporting hugely.
Oh, I agree ! What I'm arguing about is the times when it doesn't,
which seem to be increasing - reports 'live from the scene' that add
nothing at all to the studio report (or even the pre-recorded report
from the same location by the same reporter) that preceded the 'live'
report.
Though arguably the live "nothing has changed" report is actually valuable
in informing you of that, rather than leaving you to infer it...
Post by :::Jerry::::
As I said originally, the use of technology just because we can, not
because it's really required (it's going to add to the report in a
significant way).
I'd argue that live reporting adds value in that more people watch it...

Steve
:::Jerry::::
2005-03-20 10:44:38 UTC
Permalink
Post by Stephen Neal
Post by :::Jerry::::
<snip>
[snip]
Post by :::Jerry::::
But in '97 that is exactly were the reports were made from, it was the
middle of the night, the later reports by someone standing outside
Buck' House were for effect only, there could have been few if any
people who didn't know what had happened - all the real action was
taking place in either 10 Downing Street, Paris, Balmoral or at
Althorp, Buck' House was nothing more than a clearing office for PR,
even the crowds were assembling IIRC at Kensington Palace...
That may have been the case "behind the scenes" - but in terms of a single
"royal" location there really is nowhere more iconic than Buckingham Palace.
Sure, Kensington Palace became the original focus of the public, but in
terms of continued reporting of the "royal" angle Buckingham Palace had to
be the location.
No, the location could have been the Moon, it the story that matters.

If any broadcaster had chosen Althorp or Kensington House
Post by Stephen Neal
(Balmoral would be out because of the difficulty of scrambling a link there
in the timescale) they would have "looked" less stately than if they were at
Buck House.
Whether it is the actual centre of the story or not, Buck House is still
where the public expect Royal stories to be anchored from.
No, broadcasters expects that, the viewer will accept what the
broadcaster gives. What the viewer wants is the STORY not the hype -
And now 'LIVE' to the scene were we will be given the latest, cut to
link, reporter says the same as was said in the studio (or the
recorded report that was made earlier) is hype or worse still self
gratification about their use of technology.
Post by Stephen Neal
Post by :::Jerry::::
in the context of 1997 news reporting
Post by Stephen Neal
techniques. All the major news providers reported from Buckingham
Palace -
Post by Stephen Neal
if the BBC hadn't it would have seemed crazy.
I'm not saying that it's just the BBC who have and still are
dumbing
Post by Stephen Neal
Post by :::Jerry::::
down 'news', just look at the ITN programme at 18:30.....
Not getting into that - in 1997 all the major news providers pretty much
followed the same pattern. Get a dish/link/inject to Buck House and ensure
you have a solid reporter in front of that camera - it may not be where the
story is precisely developing, but it is a hell of a lot better than a
presenter in a studio.
'Because we can', not because it's going to add anything to the story.
Nick W or Jenny B standing outside Buck' House added nothing but a
sense of hype, perhaps a minority of viewers believe that the reporter
has been popping in and out of Buck' House to get the facts but most
don't I suspect.
Post by Stephen Neal
Post by :::Jerry::::
Post by Stephen Neal
Just because cardboard graphics and black and white cameras were
used in
Post by Stephen Neal
1963, would you argue that electronic graphics and colour were
needless as
Post by Stephen Neal
well. Technology moves on, and the methods used to tell a story
(whether a
Post by Stephen Neal
factual news story or a fictional one) moves on.
Of course they do, but standing someone outside a location, just
because it can be done, doesn't mean it adds anything.
Neither does it automatically become wrong. TV News is both about News and
Television. If it is not visually interesting people won't always watch.
You have failed to give them the "News" if they aren't watching. It is a
balancing act.
So it's better to dumb the news down to the lowest common denominator
is it ?

The problem is that going live to the location of some land-mark or
other to give a backdrop for the reporter and then hear yet another
version of the same story that has already been used to introduce the
'live' report' does nothing but waste time that could have been used
in the studio to go deeper into the story.
Post by Stephen Neal
Post by :::Jerry::::
Sometimes it
adds nothing but an un needed distraction, as in the report about road
congestion mention earlier, that would have been better as a pre
filmed report with a proper VO.
If time had allowed then that is probably right. However if the report was
at lunchtime, or was a late decision, you don't always have the flexibility
to cover everything with a cut story. Whilst poor quality live reporting
does nobody any favours, there are more ways of clearly telling a story in a
news bulletin than a package.
Never heard of generic stock footage, in the time it took to travel to
the location and set the link up the reporter could have done a VO - I
used the story to illustrate the 'we can so we must' stupidity of many
live links.
Post by Stephen Neal
Post by :::Jerry::::
OTOH, and going back to Diana's death,
a reporter standing in front of the underpass (with the Police
activity in the background etc.) did add to the story.
Yes - though presumably this would have taken longer to organise given the
overseas nature of the story.
And hence more thought went into a/. the need, and b/. what was going
to said and shown.
Post by Stephen Neal
[snip]
Post by :::Jerry::::
So an image of what the news reader is talking about looks fake does
it, I think there are some people around who are really
under-estimating the intelligence levels of the viewer if that really
is the reason why a reporter has to stand outside TVC to talk about
the BBC...
The grammar of picture insets behind a presenter reading a cue are very
different to those of a background behind a live reporter. One is obviously
a graphical device, the other arguably an artifice. Following your argument
it would be acceptable to have a reporter in London sat with a CSO of Moscow
behind him to cover a Moscow story, rather than a reporter actually in
Moscow. I'd argue the former was dishonest (though some news
organisations
Post by Stephen Neal
have done this...)
If what the reporter says are the facts who cares, next you'll be
claiming that a radio reporter needs to be stanbding in Red Square !

There are times were there will *need* to a TV news reporter in Red
Square, but often there isn't - again is news in fact news or is it
entertainment, if people are disinterested in current-affairs / news
they are not going to be anymore interested with someone standing in
the rain outside some land-mark or other...
Post by Stephen Neal
Post by :::Jerry::::
Post by Stephen Neal
Post by Stephen Neal
Similarly a close-up in a newsroom in Westminster says
Post by Stephen Neal
"Politics" far less than a live from College Green with a
Parliamentary
Post by Stephen Neal
backdrop.
But a green screened image of the same backdrop will....
Not as well no. The Westminster CSO is a cheap and cheerful get-out
when it
Post by Stephen Neal
is raining, or the programme doesn't have the budget for a crew to
go to
Post by Stephen Neal
College Green. It is clearly better to interview someone from a
real
Post by Stephen Neal
location than a fake one.
Never heard of a studio set, people are not interested in were the
interview is taking place, they are interested in what the
interviewee
Post by Stephen Neal
Post by :::Jerry::::
has to say - or that is what should be happening, quite often the
location becomes a distraction, what with passing traffic and the
like.
I don't agree. I think the manner of the interview is, these days, as
important as the content, as it places it in context. If you
interview an MP
Post by Stephen Neal
in front of Parliament it places them in context.
Oh, right, so telling someone and putting up a caption that Joe Bloggs
is the MP for Anytown and the Cabinet Minister for Ministerial affairs
is not enough, people are to ignorant to make the link and need to see
Parliament !...

If you perform the same
Post by Stephen Neal
interview on a set in a Westminster newsroom it is far less
immediate, and
Post by Stephen Neal
certainly "duller" television, and in my view certainly less
watchable.
Post by Stephen Neal
There is no point doing this stuff if nobody watches.
It's news, not entertainment, people are either watching or not, those
who are disinterested in news won't be watching, just as people who
are disinterested in football don't watch football.

Anyway, what's with that studio that over looks Parliament, the one on
the South side of the Themes, with the large window..... Or is that
just a projected image.....
Post by Stephen Neal
Post by :::Jerry::::
I doubt the viewing figures have increased for Question time
because
Post by Stephen Neal
Post by :::Jerry::::
it's not now stuck in London anymore, people watch it to hear what the
guests have to say, why do people think that news programmes are any
different - unless they consider that news is know entertainment
rather than current-affairs / news ?...
I'd argue that allowing people around the UK to take part in
Question Time
Post by Stephen Neal
without trekking down to London is a pretty good reason not to
anchor the
Post by Stephen Neal
show permanently in London. Surely you get a more representative cross
section of the audience if you move around the country. People outside
London pay a licence fee as well...
Yes, I totally agree but that wasn't the point of the remark, the
point was about the viewing figures, the programme still comes (in the
main) from a studio - people are watching to hear what the guests say.
Post by Stephen Neal
Post by :::Jerry::::
Post by Stephen Neal
Post by Stephen Neal
In the era of continuous news channels, where people often watch
Post by Stephen Neal
with the sound down in offices, a visual "cue" to a story is a
factor in how
Post by Stephen Neal
you tell the story. (Another reason why on-screen graphics are
now
Post by Stephen Neal
Post by Stephen Neal
Post by Stephen Neal
everywhere on all major news channels worldwide)
By the time the 'bimo' reporter is being TX'd the 'headline' of
the
Post by Stephen Neal
Post by Stephen Neal
story has been and gone, anyone turning up the sound then will be
playing catch up - but if there had been the good old graphic,
like in
Post by Stephen Neal
Post by Stephen Neal
the days of Baker & Woods etc., the same person would only miss
the
Post by Stephen Neal
Post by Stephen Neal
first few words or so.
Yes - but in the days of Baker and Woods the news was often days old
anyway...
Only news from isolated international locations, surely ?..
Well the BBC World Service reporting team is about as large as it gets, and
whenever news breaks they seem to be on-air on News 24, BBC World as well as
BBC One and Radio Five Live pretty quickly. They may be "isolated
international locations" - but I'd still rather hear from Rachel Harvey in
Banda Aceh, than a presenter in London, when I want to know about the extent
of the Tsunami...
Err I was remarking about news circa 1970, most news stories back then
were fresh when reported and when they weren't they were still
topical.

Does it really matter if the report is live or recorded, is it better
to have the possibility of (Gilligan) loose reporting or a considered
recorded report, just what does a live report bring to the story and
facts that a recorded report doesn't, true there might well be a sense
of 'being there' but a well reported and edited pre-recorded report
can do the same.
Post by Stephen Neal
Post by :::Jerry::::
Post by Stephen Neal
Live reporting may have a lot to answer for - but when done well and
from
Post by Stephen Neal
the right location it enhances news reporting hugely.
Oh, I agree ! What I'm arguing about is the times when it doesn't,
which seem to be increasing - reports 'live from the scene' that add
nothing at all to the studio report (or even the pre-recorded report
from the same location by the same reporter) that preceded the 'live'
report.
Though arguably the live "nothing has changed" report is actually valuable
in informing you of that, rather than leaving you to infer it...
No, it just wastes time that could be used to either go deeper into
the story (even if that is studio based) or for another news item. The
anchor presenter telling us the story and then going to a live report
from the scene to be told either the same or nothing is insulting to
most of the audience I suspect.
Post by Stephen Neal
Post by :::Jerry::::
As I said originally, the use of technology just because we can, not
because it's really required (it's going to add to the report in a
significant way).
I'd argue that live reporting adds value in that more people watch it...
They either watch news / current affairs or not, most of those who do
want the fact and not the hype of having a live report that adds
nothing to the story.

I can see the need for a reporter to be at the scene, they get the
story, report the fact back to the news centre (possibly sending back
on-camera reports for recording) and on the rare occasions report live
from the location if and when something is happening or that there
really has been 'breaking news'.

How many times has there been live reports form some location only for
the reporter to VO images that were shot earlier - in short the whole
need for the live insert was zero....
Paul Martin
2005-03-20 12:57:57 UTC
Permalink
Post by :::Jerry::::
The problem is that going live to the location of some land-mark or
other to give a backdrop for the reporter and then hear yet another
version of the same story that has already been used to introduce the
'live' report' does nothing but waste time that could have been used
in the studio to go deeper into the story.
eg. The character of "Brian Hanrarahanrahan" in On The Hour/The Day Today.

It's also been described as "Journalists interviewing journalists".
--
Paul Martin <***@zetnet.net>
Matthew Sylvester
2005-03-20 16:41:32 UTC
Permalink
Post by Paul Martin
eg. The character of "Brian Hanrarahanrahan" in On The Hour/The Day Today.
I think you mean Peter O'Hanrahanrahan :o)
Post by Paul Martin
It's also been described as "Journalists interviewing journalists"
If you watch the TF1 news programmes <http://news.tf1.fr/news/>, they
seem pretty much free of this cult of personality. The studio presenter
is just a talking head reading short items and introducing VT reports.
There seem to be no two-ways except with genuine contributors (rather
than other journos), and the location reports just consist of actuality
and OOV commentary, no pieces to camera. At the end of each story,
there's an aston that lists the names of all the people involved with
that report, rather than just the on-screen "talent". Just goes to show
there is another way, not that anyone in the UK would be brave enough to
try it.
:::Jerry::::
2005-03-20 17:55:54 UTC
Permalink
"Matthew Sylvester" <***@gmail.com> wrote in message news:1gtqd4t.x3vmfr18cjdm6N%***@gmail.com...
<snip>
Post by Matthew Sylvester
If you watch the TF1 news programmes <http://news.tf1.fr/news/>, they
seem pretty much free of this cult of personality. The studio
presenter
Post by Matthew Sylvester
is just a talking head reading short items and introducing VT
reports.
Post by Matthew Sylvester
There seem to be no two-ways except with genuine contributors
(rather
Post by Matthew Sylvester
than other journos), and the location reports just consist of
actuality
Post by Matthew Sylvester
and OOV commentary, no pieces to camera. At the end of each story,
there's an aston that lists the names of all the people involved with
that report, rather than just the on-screen "talent". Just goes to show
there is another way, not that anyone in the UK would be brave
enough to
Post by Matthew Sylvester
try it.
But they have, it was called BBC / ITN news prior to the mid to late
1980's....
Mark Carver
2005-03-21 10:51:11 UTC
Permalink
Post by Matthew Sylvester
If you watch the TF1 news programmes <http://news.tf1.fr/news/>, they
seem pretty much free of this cult of personality. The studio presenter
is just a talking head reading short items and introducing VT reports.
EuroNews a French (Lyon)[1] based news channel goes one step further
than that, no on screen presenters or reporters. The channel is
available in 6 or 7 languages by selecting the relevant audio channel,
so obviously the presentation style has designed to make that easy.

However (IMHO) the result is very watchable. The editorial brief is far
wider than any of the three '24/7' UK news channels, but also that of
BBC World or CNN (all of whom are obsessed with the 'journo interviewing
journo' style)

Makes a refreshing change, as does CCTV China, that's also interesting
to watch. After 20 mins of either of those, the UK services can seem
very cluttered and shallow.

EuroNews Sky Ch 528, CCTV Ch 532; (Both FTA at 28.2E so any old box will
get them too)

[1] Set up in its present form by consultants from ITN !
--
Mark
Please replace invalid and invalid with gmx and net to reply
Clive
2005-03-23 07:26:31 UTC
Permalink
Post by Mark Carver
However (IMHO) the result is very watchable. The editorial brief is far
wider than any of the three '24/7' UK news channels, but also that of
BBC World or CNN (all of whom are obsessed with the 'journo interviewing
journo' style)
I also like the format of Euronews, especially the 'without comment' section
where they show news items without any voiceovers or comment whatsoever (no
doubt to give their 6 interpreters a 5 minute rest).

You get a real perspective of the news when you can just watch the images
and make your own opinion, some of the Iraq footage they have shown
(although shown repeatedly on other news channels) was more dramtic when
shown without VO or comment.

//Clive.

Paul Sherwin
2005-03-19 11:38:48 UTC
Permalink
Post by :::Jerry::::
Also, regarding the latest BBC cut backs, is this going to see the end
of sending people out just to say what they could say in the studio
other than standing outside the place they are talking about ? A
totally pointless cost, another ego driven thing, we can so we must
whilst adding nothing to the quality of reporting IMO.
The biggest example of news waste must be to pay a journalist and crew
to stay in a hotel in Baghdad for the last couple of years. They
couldn't actually leave the hotel to do anything because it was too
dangerous, so they just voiced agency pictures and did pieces to
camera from the hotel roof.

Of course, this pointless flashy on-camera stuff will be the last
thing to go, and it's hard working newsroom journalists and
researchers who'll bear the brunt of the cuts.

Best regards, Paul
--
Paul Sherwin Consulting http://paulsherwin.co.uk
Aztech
2005-03-19 14:10:18 UTC
Permalink
Post by Paul Sherwin
Post by :::Jerry::::
Also, regarding the latest BBC cut backs, is this going to see the end
of sending people out just to say what they could say in the studio
other than standing outside the place they are talking about ? A
totally pointless cost, another ego driven thing, we can so we must
whilst adding nothing to the quality of reporting IMO.
The biggest example of news waste must be to pay a journalist and crew
to stay in a hotel in Baghdad for the last couple of years. They
couldn't actually leave the hotel to do anything because it was too
dangerous, so they just voiced agency pictures and did pieces to
camera from the hotel roof.
And guess where the insurgents target their car bombs for maximum PR... they're
more concerned about their work being in shot than harming journalists.


Az.
Stephen Neal
2005-03-19 22:04:12 UTC
Permalink
Post by Paul Sherwin
Post by :::Jerry::::
Also, regarding the latest BBC cut backs, is this going to see the end
of sending people out just to say what they could say in the studio
other than standing outside the place they are talking about ? A
totally pointless cost, another ego driven thing, we can so we must
whilst adding nothing to the quality of reporting IMO.
The biggest example of news waste must be to pay a journalist and crew
to stay in a hotel in Baghdad for the last couple of years.
What makes you think they are staying in a hotel? AIUI the BBC aren't...
Post by Paul Sherwin
They
couldn't actually leave the hotel to do anything because it was too
dangerous, so they just voiced agency pictures and did pieces to
camera from the hotel roof.
So they won't have spoken to any locals, won't have any local crews working
for them, won't have risked their lives to go out and find out what is going
on then...
Post by Paul Sherwin
Of course, this pointless flashy on-camera stuff will be the last
thing to go, and it's hard working newsroom journalists and
researchers who'll bear the brunt of the cuts.
I don't call having journalists on the ground pointless and flashy. Surely
if you rely totally on agency reporting you can no longer really justify
running a world news operation of your own - you might as well give up and
agree that the way the US covers the world is acceptable... Parachuting
reporters in when there is a "grabby" story... I'd rather have people on
the ground all the time, reporting in context.

Steve
Paul Sherwin
2005-03-20 12:15:50 UTC
Permalink
On Sat, 19 Mar 2005 22:04:12 -0000, "Stephen Neal"
Post by Stephen Neal
Post by Paul Sherwin
Post by :::Jerry::::
Also, regarding the latest BBC cut backs, is this going to see the end
of sending people out just to say what they could say in the studio
other than standing outside the place they are talking about ? A
totally pointless cost, another ego driven thing, we can so we must
whilst adding nothing to the quality of reporting IMO.
The biggest example of news waste must be to pay a journalist and crew
to stay in a hotel in Baghdad for the last couple of years.
What makes you think they are staying in a hotel? AIUI the BBC aren't...
They certainly were a year ago.
Post by Stephen Neal
Post by Paul Sherwin
They
couldn't actually leave the hotel to do anything because it was too
dangerous, so they just voiced agency pictures and did pieces to
camera from the hotel roof.
So they won't have spoken to any locals, won't have any local crews working
for them, won't have risked their lives to go out and find out what is going
on then...
Nope. This was perfectly understandable given the extreme danger of
doing so, but it does make you wonder what the point was of them being
there.
Post by Stephen Neal
Post by Paul Sherwin
Of course, this pointless flashy on-camera stuff will be the last
thing to go, and it's hard working newsroom journalists and
researchers who'll bear the brunt of the cuts.
I don't call having journalists on the ground pointless and flashy. Surely
if you rely totally on agency reporting you can no longer really justify
running a world news operation of your own - you might as well give up and
agree that the way the US covers the world is acceptable... Parachuting
reporters in when there is a "grabby" story... I'd rather have people on
the ground all the time, reporting in context.
There's a world of difference between doing your own reporting and
analysis and basing a team in a location just so they can be seen to
be there, regardless of whether they can do anything constructive.
It's very, very expensive to keep a journalist (sometimes two) and a
production team there and I don't think it represented good
licencepayer value at a time when the BBC is under financial pressure.

Best regards, Paul
--
Paul Sherwin Consulting http://paulsherwin.co.uk
Paul Ratcliffe
2005-03-20 12:15:47 UTC
Permalink
Post by Paul Sherwin
Of course, this pointless flashy on-camera stuff will be the last
thing to go, and it's hard working newsroom journalists and
researchers who'll bear the brunt of the cuts.
No, it's the technical staff who will bear the brunt of the cuts.
Journalists shooting crap with semi-domestic cameras is going to be the
norm, hacked together on some low-end PC desktop editing system with no
thought for craft skills or quality, shoved onto some horrendously
copmressed low bitrate transmission system for distribution to the masses.
Will they want to watch it? I dunno. I certainly don't.
Tomorrow will tell.
Paul Martin
2005-03-20 14:05:26 UTC
Permalink
Post by Paul Ratcliffe
No, it's the technical staff who will bear the brunt of the cuts.
Journalists shooting crap with semi-domestic cameras is going to be the
norm, hacked together on some low-end PC desktop editing system with no
thought for craft skills or quality, shoved onto some horrendously
copmressed low bitrate transmission system for distribution to the masses.
Will they want to watch it? I dunno. I certainly don't.
Tomorrow will tell.
...and by the time people realise it'll be too late, and there will be
no going back.
--
Paul Martin <***@zetnet.net>
Steve Uzochukwu
2005-03-20 16:29:10 UTC
Permalink
On Sun, 20 Mar 2005 12:15:47 GMT, Paul Ratcliffe
Post by Paul Ratcliffe
Post by Paul Sherwin
Of course, this pointless flashy on-camera stuff will be the last
thing to go, and it's hard working newsroom journalists and
researchers who'll bear the brunt of the cuts.
No, it's the technical staff who will bear the brunt of the cuts.
Journalists shooting crap with semi-domestic cameras is going to be the
norm, hacked together on some low-end PC desktop editing system with no
thought for craft skills or quality, shoved onto some horrendously
copmressed low bitrate transmission system for distribution to the masses.
Will they want to watch it? I dunno. I certainly don't.
Tomorrow will tell.
Whilst I would love to disagree with you this is already the case at
some ITV franchises.

The biggest problems with the PC based editing systems are:

1. How small the single monitor is.

2. How small within that monitor the pictures being edited are.

3. The lack of any credible sound monitoring.

I think regional news is simply something ITV will do until the new
criteria come in sometime in 2007.

OTOH, to be fair to the BBC their web site does a great job with news.
And I can still see the regional stuff there.

Worth a considerable proportion of my licence fee, which is not what
it costs.
--
Steve Uzochukwu, Avian Amour and Windtech Quarx.
http://www.steveu.org/
The UKRM FAQ: http://www.ukrm.net/faq/index.html
***************************************************************
Aztech
2005-03-21 12:51:55 UTC
Permalink
"Steve Uzochukwu" <***@genie.co.uk> wrote in message
<
Post by Steve Uzochukwu
OTOH, to be fair to the BBC their web site does a great job with news.
And I can still see the regional stuff there.
Worth a considerable proportion of my licence fee, which is not what
it costs.
Local news including the nations consume a whopping £10.80 per annum out of your
licence fee in total, and that includes the somewhat more considerable
operations seen in Wales (native language), Scotland (Newsnight, evening news
etc), and NI.

It would be interesting to see how the figures break down, even with crude
figures it's obvious your local region actually receives less than £1 per annum
out of your licence.


Az.
Tony Quinn
2005-03-20 21:51:23 UTC
Permalink
Post by Paul Ratcliffe
Post by Paul Sherwin
Of course, this pointless flashy on-camera stuff will be the last
thing to go, and it's hard working newsroom journalists and
researchers who'll bear the brunt of the cuts.
No, it's the technical staff who will bear the brunt of the cuts.
Journalists shooting crap with semi-domestic cameras is going to be the
norm, hacked together on some low-end PC desktop editing system with no
thought for craft skills or quality, shoved onto some horrendously
copmressed low bitrate transmission system for distribution to the masses.
Will they want to watch it? I dunno. I certainly don't.
Tomorrow will tell.
Actually today - that very scenario is already unfolding in ITV news....
--
------------------------------------------------------------------
Tony Quinn --- The Voice Of Insanity
reply to ***@sixpints.demon.co.uk
------------------------------------------------------------------
Richard W. Jones
2005-03-19 22:52:03 UTC
Permalink
Post by :::Jerry::::
<snip>
Post by Ashley Booth
Not just the French! I've done a 2 way for SAT1 where they had a
hand
Post by Ashley Booth
mike (not plugged in) just so they could get their logo in shot!
<mode=rant>
Well, if it stop the 'presenters' weaving their arms and hands around
like demented idiots I'm all for the use of hand held mic's - some
British (mostly bimbo & Jon Snow) presenters could benefit from having
to hold something more than their inflated egos.....
Also, regarding the latest BBC cut backs, is this going to see the end
of sending people out just to say what they could say in the studio
other than standing outside the place they are talking about ? A
totally pointless cost, another ego driven thing, we can so we must
whilst adding nothing to the quality of reporting IMO.
</mode>
Private Eye has a regular column called "Going Live" devoted to the
pointlessness of TV news channels doing OBs which bring no further
benefit to the report than they would if they were done from a studio.

R
Alan Pemberton
2005-03-19 11:21:32 UTC
Permalink
Post by I'm_Perfect
I'm getting TF1, F2 from the caen tx at the moment and I see that presenters
etc are still useing hand mikes, err why ? I can't think of any technical
reason why France can't use lapel ones like the rest of the world ??!
Their preference is usually for large black lapel mics the size of 1/2
AA batteries, one on each lapel.
--
Alan Pemberton
Sheffield, South Yorkshire, England
<http://www.pembers.freeserve.co.uk/>
Avoid my spambox by replying to <My First Name>@pembers.freeserve.co.uk
Clive
2005-03-21 15:24:45 UTC
Permalink
Post by I'm_Perfect
I'm getting TF1, F2 from the caen tx at the moment and I see that presenters
etc are still useing hand mikes, err why ? I can't think of any technical
reason why France can't use lapel ones like the rest of the world ??!
Indeed, the presenter of FR3's 'Questions Pour Un Champion' treats his
lapel mikes as some form of fashion accessory.
Dave Plowman (News)
2005-03-19 12:00:36 UTC
Permalink
Post by I'm_Perfect
I'm getting TF1, F2 from the caen tx at the moment and I see that
presenters etc are still useing hand mikes, err why ? I can't think of
any technical reason why France can't use lapel ones like the rest of
the world ??!
Perhaps they prefer decent speech quality?
--
*I used to have an open mind but my brains kept falling out *

Dave Plowman ***@davenoise.co.uk London SW
To e-mail, change noise into sound.
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